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  #21  
Old 03-12-2006, 11:41 PM
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Quote:
Originally Posted by analyze
sarey74 amar mone nei... aami uttam kumar movie khub kom dekhechi because aamar bondhu ra je movie gulo bhalo bolto like saptapadi :hiding: :BigGrin: and few others, I didnt liked them at all... And so never dared to cross the fence. However, one movie I liked a lot was Jatugriha starring Uttam Kumar and some actress and Nayak because of impeccable characterisation and tongue-in-cheek dialogues (but much of the credit offcourse goes to Ray)

Why Don't you get some previews of the latest superhit movies by Ravi Kinagy , Haronath Chakrobarty , Rituporna Ghosh ?

That will be great if you can get it , thanks in Advance !!!!!
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  #22  
Old 03-12-2006, 11:49 PM
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chidiya khana dekhte ami interested karon eta bomkesh bakshi er story.if u donno in case,baksi is a sharlok holmes type character.ei character niye onek guli story ache and trust me,they r no way less than holmes stories.i m big fan of them.

sarey 74 is NOT a typical uttam story.actually he played a side character in it (came to screen after 45 mins).that was a pure comedy of some young guys living in kolkara boarding house.IMO,the best comedy ever made in Bangla.ray himself appreciated the movie in his column.
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  #23  
Old 03-13-2006, 12:00 AM
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Quote:
Originally Posted by rihaad
Why Don't you get some previews of the latest superhit movies by Ravi Kinagy , Haronath Chakrobarty , Rituporna Ghosh ?
That will be great if you can it , thanks in Advance !!!!!
Havent heard of the first two but have watched a few movies of Rituparno Ghosh. I will add a few on him as per your wish :)
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  #24  
Old 03-13-2006, 12:05 AM
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Quote:
Originally Posted by taposhbhai
chidiya khana dekhte ami interested karon eta bomkesh bakshi er story.if u donno in case,baksi is a sharlok holmes type character.ei character niye onek guli story ache and trust me,they r no way less than holmes stories.i m big fan of them.

sarey 74 is NOT a typical uttam story.actually he played a side character in it (came to screen after 45 mins).that was a pure comedy of some young guys living in kolkara boarding house.IMO,the best comedy ever made in Bangla.ray himself appreciated the movie in his column.
I know its a byomkesh bakshi film. There was also a serial featuring Rajit Kapoor as byomkesh bakshi in hindi. It was good.

sarey 74.. hmm may be I'll download it from here. and let u know whether I liked it or not

btw, I watched Ashoni Sanket, and it didnt changed my opinion about Waheeda Rehman as the most beautiful actress in Ray movie :BigGrin:. However, the movie is good. But in this movie Ray is not experimenting with form and technique. The symbolism is terse (very definitive of Ray). :claps:
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  #25  
Old 03-13-2006, 12:35 AM
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Please get the movie preview of "Shathi" by Haronath Chakrobarty ( Jeet & Priyanka) . Once you watch that movie then you won't forget the name of the Producer & Director of that movie for sure :)
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  #26  
Old 03-13-2006, 03:03 AM
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rihaad bhai,why dont you add the reviews of your fav films.this thread is not only for arty movies or reviews from journals.nor only analyze will write them.everyone is welcome to contribute and share the feelings they had watching a particular movies (good or bad)

so go ahead :)
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  #27  
Old 03-13-2006, 03:49 AM
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Quote:
Originally Posted by rihaad
Please get the movie preview of "Shathi" by Haronath Chakrobarty ( Jeet & Priyanka) . Once you watch that movie then you won't forget the name of the Producer & Director of that movie for sure :)
yeah.. rihaad.. go ahead.
why dont you add a review of SAATHI.
At least, I 'll get to know about it albeit my real chances of actually watching it is real small.
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  #28  
Old 03-16-2006, 11:10 PM
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Yesterday, I watched "Mon Niye" starring Supriya Devi and Uttam Kumar downloaded from BT. It's such a bad movie (from my point of view); that I will think twice before watching any uttam kumar movie again. This I'm not writing to discourage others. The basic premise of the movie is still palateable, the treatment in terms of screenplay and acting is pathetic. I wouldnt disclose the story as there is an element of suspense in it. The surprise considering the fact that the movie is made in 60s-70s is commendable.

One of the funny instance in the movie : The director in an attempt to replicate the court scene akin to hollywood films showed a panel of jury sitting in the court. I never knew India had such legal system. :BigGrin:
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  #29  
Old 04-05-2006, 07:35 AM
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Since I have not watched any bengali movie recently, I'll update this thread with a movie I watched long time back. Offcourse, I am talking about an art movie :D "Meghe Daaka Taara"
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  #30  
Old 04-05-2006, 07:42 AM
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Film: Meghe Dhaka Tara (The Cloud Capped Star)

Director: Ritwik Ghatak

Language: Bengali


Synopsis from Film Journal

In an impoverished refugee village in Calcutta, an attractive and industrious young woman, Nita (Supriya Choudhury), breaks a sandal while passing through the market square, and without complaining, continues barefoot on the graveled street, unable to buy a replacement pair of sandals for the walk home. Patently aware that Nita has received her monthly salary, her talented, but indolent older brother Shankar (Anil Chatterjee) pays an unexpected visit, and encountering Nita absorbed in reading a personal letter from a suitor named Sanat (Niranjan Ray), playfully snatches the note and reads aloud its affectionate contents, before asking her for spending money. Meanwhile her younger sister, Gita (Gita Ghatak) and brother Mantu (Dwiju Bhawal) brazenly plead with their desperate and resourceless mother (Gita De) for new articles of clothing, before re-directing their vain and selfish entreaties to Nita. Having spent her entire salary on her burdensome, coddled siblings, her embittered and insecure mother then vociferously complains to her father (Bijon Bhattacharya), an underemployed school teacher, that Nita has squandered the monthly household budget. Bound by a selfless sense of familial duty, Nita has decided to postpone her marriage to Sanat until Shankar realizes his ambition to become a classical singer. However, as Nita perseveres in her sacrifice for her ungrateful and demanding family, her own prospects for happiness proves ever increasingly bleak.


Critical Analysis from a Film Journal

Ritwik Ghatak presents a visually sublime, idiosyncratically overripe, but provocative and deeply personal account of poverty, disillusionment, and exile in The Cloud-Capped Star. By interplaying light and shadows and incorporating evocative, aggressive sounds that underscore emotional impact and comedic tone, Ghatak creates a unique, sensorial experience that chronicles the systematic demoralization of the human soul: the surreal, foreboding shot of Nita descending a staircase after she is compelled to leave her studies in order to support the family; the overemphasized sounds of cooking as the mother spies on Nita and Sanat that aurally conveys her anger and fear at losing their primary source of income; the contrasted image of Nita - first, illuminated in front of a latticed window as she reads Sanat's letter and later, concealed behind the window after Shankar's return; the sound of lashing as Nita and Shankar sing a melancholic Rabindranath Tagore song (evoking Raskolnikov's dream on burden and responsibility in Fyodor Doestoevsky's Crime and Punishment). An allegory for the traumatic consequences of the partition of Bengal, The Cloud-Capped Star captures the disintegration of a Bengali middle class family as a result of dislocation, poverty, self-interest, and petty, internal division. Note the repeated imagery of a passing train bisecting the horizon that alludes to the physical division of the family's ancestral homeland. Inevitably, as Nita attempts to recuperate from the ravages of self-denial, want, and exploitation, her cry of anguish becomes an indistinguishable, resonant echo from the lost and irredeemable soul of a displaced and uprooted people.


To be continued ....
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  #31  
Old 04-05-2006, 07:54 AM
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My Views
This movie is an excellent example to blend background music with the screen play of the movie. The movie though flawed at certain places (becomes overtly critical and b/w) is one of the best from India. Anil Chatterjee as a talented elder brother ranks top among the actors. The flaws are the result of the over indulgence of Ghatak. Given his personal history, it is important to judge the movie vis-a-vis his own hunger for intelligentsia/intellectualism and angst ridded poverty days. The movie has some beautiful imagery supplemented with gritty symbolic realities.

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  #32  
Old 04-05-2006, 02:17 PM
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What would be next ? Can you get the "film reveiw" of "Oarish" by Koushik Ganguly ? You can wait till you watch it :) if you already have then it's great .
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  #33  
Old 04-06-2006, 02:40 AM
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"Oarish", I will look for it but looking at the movie title, it doesnt look my cup of tea :BigGrin:
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  #34  
Old 04-06-2006, 04:53 AM
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Quote:
Originally Posted by analyze
"Oarish", I will look for it but looking at the movie title, it doesnt look my cup of tea :BigGrin:
Acted by : Sabyasachi Chakrobarty & Debosree Roy .

A must watch super blockbuster movie , which is way better than any bollywood movies these days . If you can't fine then let me know , I will upload it :) as I got that one too :)
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  #35  
Old 04-20-2006, 03:48 PM
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Cool

Hi
I am shab uddin from motijheel how are you
at first time i browzing this site
Thanks
shab uddin
:flamethro :flamethro
hi
who are you

hi
how are you
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  #36  
Old 04-22-2006, 02:45 AM
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Quote:
Originally Posted by rajmonna
Hi
I am shab uddin from motijheel how are you
at first time i browzing this site
Thanks
shab uddin
:flamethro :flamethro
hi
who are you
hi
how are you
Is that q directed to me ?

Anyways. Nice to hear from you bondhu :)
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  #37  
Old 04-25-2006, 04:10 PM
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Recently watched DEKHA downloaded from BT. I'll add a review.
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  #38  
Old 04-25-2006, 04:25 PM
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Film: Dekha

Language: Bengali

Director: Gautam Ghose


Plot Synopsis

This movie is based on an aging acclaimed poet gone blind played by Soumitra. He lives alone, thanks to his philandering ways, in a large plot of land in the middle of Calcutta. In the dilapidated home, he has kept his teacher's daughter, played by Deboshree, who had differences with her famous painter husband (also because of his philandering ways). The film revolves around their relationship. But the crux of the story is not philander hidden behind artistic creativity cloak, rather an unstated budding relation between Soumitra and Deboshree with all its pitfalls and dire consequences.
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  #39  
Old 04-25-2006, 04:39 PM
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My Views

Though, I consider PAAR by Gautam Ghose his best, this movie is still watchable compared to his recent movie "Abar Aranye", which according to me unwatchable. The movie has its implicit flaws inherent in any Ghose's movie - Lack of subtlity or symbolism substituted by a melodramatic presentation, excessive self-gratification (pseudo-intellectualism), a simplistic communism answer to all the malaise in the world :banghead:. But the mentioned drawbacks are considerably less compared to Abar Aranye (where the excessive Che Guevarra irked me), thanks to a modulated performance by Deboshree and Soumitra, in that order. Gautam Ghose is a better cameraman than a director. His limitations are result of his qualified philosophical outlook compared to his contemporary "Buddhadeb", whom I regard at par with Satyajit Ray and Adoor. The film could be cut short with some unecessary melodrama. The meditation on loneliness is inadequate and uncooked.
One of the beautiful relationship that could have been explored was promoter's role played by Biplab and Soumitra, but sidelined in favor of some dramatization.

But I would still say that the movie is watchable and much better than AntarMahal.
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  #40  
Old 05-02-2006, 03:19 AM
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Quote:
Originally Posted by analyze
sarey74 amar mone nei... aami uttam kumar movie khub kom dekhechi because aamar bondhu ra je movie gulo bhalo bolto like saptapadi :hiding: :BigGrin: and few others, I didnt liked them at all... And so never dared to cross the fence. However, one movie I liked a lot was Jatugriha starring Uttam Kumar and some actress and Nayak because of impeccable characterisation and tongue-in-cheek dialogues (but much of the credit offcourse goes to Ray)
I really don't know your name but my hat's off to you for starting this thread. To be frank, I believe that I have watched 95% Styajit Ray movies(the only one missing is chiriyakhana which according to Mr. Ray was his most disliked creation. I can give you the reason later). watched around 50% Ghatak movie and have all of them in my kitty, though not a big fan of Mrinal Sen but watched 30% of his movies and last I probably watched 60% of Tapan Sinha's creation. Other notable old directors are Ajay Ghosh and Asit Sen. Among new directors, love to watch Aparna Sen, Rituporno Ghosh, Goutam Ghosh (to some extent), Buddhadev Dasgupta (again to a limited extent) and some others. Anyway, just to add a small comment here to Rihaad: Have you really watched both the movie: Chandni Bar and Mondo Meyer Upakhyan!!! If so, then I believe that you will see the difference.
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