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  #1  
Old 04-29-2006, 02:13 AM
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isinpt isinpt is offline
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Arrow Introducing Vishwa Veena

Vishwa Mohan Bhatt's Very First Records by his own invention called 'Visha Veena' known as 'Mohan Veena'.



One of those distinguished artists to play an instrument of his own creation; Vishwa Mohan Bhatt has earned international acclaim for his skills on the MohanVeena.
Vishwa Mohan Bhatt was born in Rajasthan and his lineage can be traced to the most heralded names in Indian music such

as Mia Tansen and Swami Haridas. Born to parents who have a sound grounding in music, Vishwa Mohan Bhatt's father
hails from the Jaipur Gharana, while his mother trained in the Seniya Gharana. The initial years of training were
under his father. However the turning point in his career came about with his tutelage under the renowned Pandit Ravi Shankar.



It was under the tutelage of the maestro that Vishwa Mohan Bhatt sought to satisfy his quest of extracting more than
just the ordinary from the veena. Thus started the exercise of evolving an instrument that would give him the musical satisfaction he red.
The most significant contribution was made by way of inventing the Mohan Veena. This instrument is an interesting
blend of the musical attributes of the traditional veena and the Western Acoustic guitar. Its structural origins lie in the Hawaiian guitar. After years of unswerving diligence, Vishwa Mohan Bhatt was successful at creating this
instrument by adding twenty new strings to the Hawaiian guitar.
The challenge however, in doing so, lay in producing the melody of the traditional guitar without compromising on the
authenticity of the traditional Classical Indian Ragas. Thus there were obstacles not in terms of technicalities in
creating the instrument, but also retaining melodic content and the traditional nuances of the raga, in order that the
instrument would classify as a classical one. The outcome of such pioneering work was the evolution of the distinct 'gayaki ang' on the guitar.
Vishwa Mohan Bhatt has traversed the globe giving several outstanding performances on the Mohan Veena. Among his many
outstanding renditions on the Mohan Veena, the most significant is a jugalbandi with Ry Kooder, titled "A Meeting by
The River" which was a blend of Indian and Western music. This album also won this incredibly talented artist a Grammy
award. The only other Indian artist to have won this coveted accolade is his guru Pandit Ravi Shankar. Making Vishwa
Mohan Bhatt a worthy 'shishya' of the maestro.
His philosophies on music are liberal for he believes music knows no barriers. It is fluid and will in no way lose its
purity by meeting with other cultures. In fact the distinction of Indian music lies in the fact that while it lends
itself to an easy merge with the Western form, it never loses its own identity. And it is this assurance in his music
that sees Vishwa Mohan Bhatt continue to experiment with his instrument, firm in the belief that there is always scope
for improvement and embellishment.














Coming up soon this exclusive and very rare 55 mins of mesmerizing audio.


If you missed his albums those were already posted at audio section,then click on the album name below.

Music for soul ******* A meeting by the river



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Old 04-29-2006, 01:59 PM
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toh bhai saheb ata kobe nagad bazarjat korar echche pooshon korchen?
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Old 04-29-2006, 03:06 PM
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Quote:
Originally Posted by bEdenkot
toh bhai saheb ata kobe nagad bazarjat korar echche pooshon korchen?
Bazarjat toh korar kono e iccha proshon kortasi nah,tobey inshallah..shiggrohi torrentjat korar obhiprai achey.

apne je amakey koi ekta album debar loov lalosha dia,chup hoiya gelen.shei gular kotha ki zonogon er shamne prokash korey dibo?
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Old 04-29-2006, 04:32 PM
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Quote:
Originally Posted by isinpt
apne je amakey koi ekta album debar loov lalosha dia,chup hoiya gelen.shei gular kotha ki zonogon er shamne prokash korey dibo?
ji loov dekhiyechi kothata ak orthe sotti e bote. ossikar korar moto kapurusochito kormo ami korbo na. kintu ami j bhai beri bondhone aboddho!

durer seemahin akash amai haatchani diye dake r ami ta chuye dekhar jonne kromagoto chut-te thaki. kintu beshidur na jetei hoochot kheye pore jai. shokti sonchoi kore uthe abar chuti, abar pori, uthi, chuti. belasheshe jokhon porisranto nijeke abiskar kori, dekhi shamuker moto gutishuti mere pore achi porichito brinte; jekhan theke shuru hoi amar prottush podocharona. obogoto hoi ami royechi osposto ak rekha-britte aboddho, britter kendrobindute gatha shokto khutir sathe amar payer berir nirbibad sokkhota. britter baire pa baralei hoochot kheye porar omoogh prapti.

r zonogon k atmar song-geeter montre dikkhito korar apnar j obiram mohoti shrom tar puropuri safollo aste r beshi din hoito opekkha korte hobe na. se din khub dure noy jokhon apnar bopon kora seed theke niden pokkhe 25 ta chara gojabe. r hay totodine amio amar beri-bondhon kichuta shithil korar poth batle nebo, amio amar britter bairer dirgho-porichito rasta gulu sohojei punorai chine nebo:)
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Old 04-29-2006, 05:04 PM
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Apner opurbo shahitto kormo dekhia otibo pulokito howar ashonka chilo,tothapi,sesh-obdi poria bodh hoilo,ai otibo shuddho o aabhidhanic shobdher shombharey apne jei shahitto rochona koriyachen,tahar prothiti rondhre rondhre ojuhaat er chowa rohiyachey.

amar kormo goon er jei bornona apni koirachen tahatey toilo-grito bebohar er oshamanno proyash lokkhonio.
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